"Agbara Nla": The remake of a film launched with 5,000 naira surpasses 307 million at the Nigerian box office

Story Africa·17 October 2026·2 min read
"Agbara Nla": The remake of a film launched with 5,000 naira surpasses 307 million at the Nigerian box office
Photo: MediaMOF · CC BY-SA 4.0, via Wikimedia Commons · illustrative photo, colours edited

The Nigerian film "Agbara Nla: The Return" has surpassed 307.2 million naira in revenue in theaters across the country, its distributor, Nile Group, announced on October 16, 2026, as reported by the Nigerian daily Blueprint. Two weeks after its release on October 1, 2026, it ranks fourth among the most profitable Nollywood films of the year.

A record-breaking start outside the December season

According to Premium Times, the previews brought in approximately 71.4 million naira from 12,134 admissions through October 1, followed by 99.2 million from 16,223 admissions between October 2 and 4, totaling nearly 170.6 million in four days. The newspaper considers this the best opening for a Nollywood film released between January and November, and the best for a Christian production. The absolute records remain held by two December releases, "Everybody Loves Jenifa" (approximately 206 million naira) and "Behind the Scenes" (approximately 205.5 million).

From 5,000 naira in 1993 to a studio remake

The film is a remake of "Agbara Nla," shot in 1993 by Mount Zion, the evangelical studio founded by Mike Bamiloye. He told Premium Times that he began filming "with 5,000 naira" under very difficult material conditions. The remake is directed by his sons, Damilola Mike-Bamiloye and Joshua "Jay Mikee" Mike-Bamiloye, and produced by Mount Zion Film Productions, Circuits, and Sozo Films, with Chris Odeh. Nile Entertainment is handling the distribution.

The success reinforces an idea that the Nigerian industry is beginning to accept: its audience is not limited to the December window or urban comedies from Lagos. A studio born from evangelism, long distributed via cassettes and later online, has placed a feature film at the top of the charts against productions backed by international platforms. It is also a useful reminder: the most robust African cultural industries were often built without foreign capital, starting from a local audience that pays for its tickets.

Caution is required regarding the figures: they come from the distributor, posted on its Instagram account on October 16, 2026, and not from an independent measurement body, as Premium Times does not cite a single box-office tracking entity for the Nigerian market. The film remains in theaters, and the 2026 rankings will only be finalized after the December season, which is by far the most lucrative period of the Nollywood calendar.

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This article was written in French with the help of artificial intelligence from the sources cited below, then translated from French automatically. Read the original.